Saturday, August 11, 2007

India Before and After the Independence.



With the decision by Britain to withdraw from the Indian subcontinent, the Congress Party and Muslim League agreed in June 1947 to a partition of India along religious lines. Under the provisions of the Indian Independence Act, India and Pakistan were established as independent dominions with predominantly Hindu areas allocated to India and predominantly Muslim areas to Pakistan.
After India's independence on August 15, 1947, India received most of the subcontinent's 562 widely scattered polities, or princely states, as well as the majority of the British provinces, and parts of three of the remaining provinces. Muslim Pakistan received the remainder. Pakistan consisted of a western wing, with the approximate boundaries of modern Pakistan, and an eastern wing, with the boundaries of present-day Bangladesh.
The division of the subcontinent caused tremendous dislocation of populations; inter-communal violence cost more than 1,000,000 lives. Some 3.5 million Hindus and Sikhs moved from Pakistan into India, andabout 5 million Muslims migrated from India to Pakistan. In Punjab, where the Sikh community was cut in half, a period of terrible bloodshed followed. Overall, the demographic shift caused an initial bitterness between the two countries that was further intensified by each country's accession of a portion of the princely states.
Adding to the tensions, the issue of the polities Kashmir, Hyderabad, and the small and fragmented state of Junagadh (in present-day Gujarat), remained unsettled at independence. Later, the Muslim ruler of Hindu-majority Junagadh agreed to join to Pakistan, but a movement by his people, followed by Indian military action and a plebiscite (people's vote of self-determination), brought the state into India.
The nizam of Hyderabad, also a Muslim ruler of a Hindu-majority populace, tried to maneuver to gain independence for his very large and populous state, which was, however, surrounded by India.
After more than a year of fruitless negotiations, India sent its army in a police action in September 1948, and Hyderabad became part of India.
The Hindu ruler of Kashmir, whose subjects were 85 percent Muslim, decided to join India. Pakistan, however, questioned his right to do so, and a war broke out between India and Pakistan. A cease-fire was arranged in 1949, with the cease-fire line creating a de facto partition of the region.
The central and eastern areas of the state came under Indian administration as Jammu and Kashmir state, while the northwestern quarter came under Pakistani control as Azad Kashmir and the Northern Areas. Although a UN peacekeeping force was sent in to enforce the cease-fire, the dispute was not resolved.This deadlock has intensified suspicion and antagonism between the two countries.
In 1971, Pakistan was itself subdivided when its eastern section broke away and formed Bangladesh. Border disputes continue to embitter Pakistani-Indian relations, as Pakistan has produced a series of autocratic military rulers, while India maintained a parliamentary democracy.

Friday, August 10, 2007

Kumble's maiden hundred caps Indian domination


India stood on the brink of a series win in England - 2-0 was as a real possibility, 1-0 a virtual certainty - as they piled on a massive 664, with Anil Kumble scoring his maiden Test hundred on the back of impressive performances from several of his team-mates. India's batting fired all through, with each of the 11 batsmen getting into double figures, and eight partnerships of 50 or more. England lost Andrew Strauss in the eight overs they had to negotiate, ending on 24 for 1 to cap a near-perfect day for India.
With India "getting out of jail" in the first Test at Lord's, saved by the rain, and decisively winning an exciting game at Trent Bridge, the two teams came into the final Test fairly well matched. By the end of the second day, though, India were far ahead, with England battling hard to stay in the hunt.
Added to the pressure that the series scoreline put on the English batsmen was the pressure of the huge Indian total. The question Michael Vaughan will be asking himself is, "How can England still win this game?" For if they can't visualise a positive result, it might just become too difficult to bat three days and keep the negative one away.
The day was well set up when it began, with India narrowly ahead on points at 316 for 4. Sachin Tendulkar quickly got to his half-century, Matt Prior dropped VVS Laxman, Mahendra Singh Dhoni carted the ball around for a lusty 92, and all seemed to be going according to the Indian script. Then came the event of the day, something that was 36 years and 297 days and 118 Tests in the making. Kumble got to his half-century, off 109 balls, playing second fiddle to Dhoni. Then slowly, as he crunched one unassuming cover drive after another, the maiden century became a real possibility, even with Dhoni gone.
Zaheer Khan played with care and common sense for 52 balls to score 11 but he could take Kumble only as far as 67. RP Singh hung around 21 balls for his 11 and left Kumble on 76. With 24 still needed, Kumble was visibly nervous as Sreesanth strode out to bat. Miraculously, Sreesanth kept his cool - something he hasn't always done with the ball in hand - and Kumble speared one from Kevin Pietersen through Matt Prior's legs, off the inside edge, to reach three figures.
Scrambling to regain his crease, Kumble saw that the ball had evaded the keeper and before Steve Bucknor, the umpire, could signal the boundary, he had his helmet off and waved his bat towards the Indian dressing-room. To a man the Indian team - already crowding the balcony - rose to their feet, celebrating Kumble's moment. It was one of cricket's romantic moments, a popular hero achieving a milestone that appeared to be evading him in a 17-year-old career.
For those less inclined to the game's romance, there was still enough to savour on a day the statisticians had little respite. India's innings was the first instance of eight partnerships crossing the 50-run mark. James Anderson conceded 182 runs, more than any Englishman has conceded against India in an innings. All eleven Indian batsmen got into double figures. Kumble took more Tests than any batsman in history to reach a maiden Test hundred, beating Chaminda Vaas (96), and, till he got there this was the highest score without a century.
And if you had no interest in either romance or statistics, and wanted pure cricket, you couldn't have asked for a refund on your ticket money at the end of the day. Laxman batted pleasingly for 51, barring the ball that got him and the one that should have when Prior shelled the chance. Tendulkar played more shots in the second half of his innings, including a near six - a hook off Anderson - and well-constructed punches through mid-on and cover. He was on target for a century when Anderson produced a delivery that swung late and, for the second time in the innings, got rid of a well-set top-order batsman.
Anderson's ball to dismiss Tendulkar, almost as good as the one that got Rahul Dravid on the first day, was no fluke. England's bowlers tried hard, hampered as they were with the loss of Sidebottom after the 102nd over, and it wasn't as though they bowled especially badly. It was just one of those days when almost everything India did went their way.
India were already on course for a big total and then Mahendra Singh Dhoni went ballistic with an 81-ball 92, further demoralising England © Getty Images
Dhoni's frightening assault was one such thing. He walked out to bat with India in a strong position at 354 for 5 but there was still a long way to go. India's first task was to score enough runs to eliminate the risk of defeat and then press on to a score so big that England would have to fight to save the game. Dhoni ensured that this gap was bridged. He did that with a typically marauding 92, including four huge hits for six and nine fours, off only 81 balls. He'd helped save the Test at Lord's with a doughty, uncharacteristic innings; here he'd set things up with an idiosyncratic, bustling knock.
Amid all that, Kumble ended up unbeaten on 110, scoring the only Indian century of the series so far as India eventually closed on 664. Then, in the eight overs that remained a tired Strauss pulled Zaheer from well outside the off and only managed a catch to fine leg, leaving England at 12 for 1. Alastair Cook stayed largely away from the strike, and trouble, as England ended on 24 for 1, a staggering 640 behind with three days to play.
And that's the key, as the man of the day put it. "I always knew I could bat and I didn't think it would be 17 years coming," said Kumble. "I'm really satisfied, and we'll celebrate, but there's still a lot of work to be done in picking up the remaining 19 wickets."
Kumble couldn't stop smiling when he gave that TV interview but it is over the next three days that he has to be in his element - making sure the English batsmen are not enjoying their time out in the middle. After all, a 2-0 series-win in England beckons. And that's almost as much of a once-in-a-lifetime event as Kumble's hundred.

Ram Charan Tej IN n AS --- CHIRUTHA


Chirutha's shooting is nearing end. Megastar Chiranjeevi's son Ram Charan Teja's maiden film is now ready to the hit the marquee in September. The unit is back from Bangkok where major part of the shooting is done. So far 75 per cent of shooting has been completed. A new schedule begins from August 3rd in Hyderabad and two songs will be canned in Australia.
Says Charan Teja: "We have almost completed the shooting. Will come to the front of the audinces in Septemeber." Charan who is looking very confident and relaxed after a hectic schedule attended a party on Wednesday night at FTV lounge in Hyderabad. He spoke to the media.
"My father is my inspiration. He is everything to me," he said. Charan Teja also said his sole aim is to keep his father's good name intact.
What is your acting Mantra?
Charan Teja: I want to be myself.
What is the best thing you enjoyed in your first film?
Charan Teja: Going to far away places and exotic desitnations where one normally doesn't go.
Your role model?
Charan Teja: My dad Chiranjeevi.
Suggestion to the youth?
Charan Teja: I am not great man to give suggestions.. But I can tell them to follow their heart.
Chirutha is produced by Ashwinidutt and directed by hotshot director Puri Jagannadh. Manisharma has scored the music. The audio will release this month end. Charan Teja has newcomer Neha Sharma as his co-star.

PARTNER, GANDHI - MY FATHER


A few days ago, during an interactive session as a guest speaker at WWI, David Dhawan talked about his school of cinema to the students. He explained his methodology whereby he places most emphasis on the characterization of his lead characters. One can see this strength in all his films including the latest comedy riot, the Salman - Govinda starrer - PARTNER. PARTNER was viewed with keen interest by the students as it is a film that has captivated the audiences and made its mark at the box office. Also recently, the Whistling Woods International students got the opportunity to see the English version of the film GANDHI - MY FATHER a film which breaks away from the conventions of Indian cinema as it has no songs, no romance & no comedy yet it captures your heart & mind through its great story-telling and revealing the interesting facets of the life of Mahatma Gandhi. Anil Kapoor held a special screening for the 230 students of WWI and followed it up with an interactive session along with director Feroz Abbas Khan this week. According to filmmaker Subhash Ghai GANDHI - MY FATHER once again proves that, "Today we have filmmakers who are bold and brilliant and are able to take Indian Cinema to International standards. Gandhi is a brilliant piece of cinema," said Subhash Ghai. It is his goal at Whistling Woods to let students discover their own interest and make their own kind of cinema. By exposing them to two distinctly different genre of filmmaking in one week the students get exposure to various schools of filmmaking. "Every filmmaker takes a place in the hearts of the audience provided he or she is honest to his or her approach towards cinema." concluded the students and faculty of WWI while analyzing these film trends.